Stop letting prevalent myths of the starving artist and getting found mess you up.
It’s hard being a successful artist. It takes creativity, determination, vision and business skills. You have to endure more criticism than other business owners do. But, that’s part of being in the arts. Your work is on public display, and there are those who make it their business to judge the value of your work.
I don’t know any artists who are starving.
I do know some who feel like their careers are kind of on a starvation diet due to lack of sales. The biggest reason why art does not sell is that not enough qualified buyers see it.
If you don’t show it, you can’t sell it. It’s a numbers game.
Sometimes sales lag due to the quality of the work or materials, including framing is sub-par, or the pricing is off the mark. But, the biggest thing holding most artists back it they are not getting their work seen often enough.
Van Gogh did not cultivate the myth.
Many artists and consumers believe the myth of the starving artist is due to Van Gogh. He died impoverished and mentally unstable without ever having sold his art. Yet, in death he is a justified and revered icon.
Somehow, artists have fallen for the belief their work only matters if it is pure and created with no commercial intent. We can’t go back and ask Van Gogh, but I bet he would have enjoyed selling his work.
Blame the romantic starving artist myth on Henri Murger.
The starving artist myth came from Frenchman Henri Murger. In his book, Bohemians of the Latin Quarter
You have a choice.
You did not get to decide the circumstances of where you were born, who your parents are and much more. You do have the choice to take control of your career and direct it to the success you desire.
No one is stopping you, except you.
One of the biggest problems I see is artists getting in their own way. They cling to weird notions of the starving artist syndrome. Or, they choose wishful thinking instead of decisive action. They dream of Getting Found while their successful counterparts follow this advice:
Amateurs look for inspiration; the rest of us just get up and go to work. ― Chuck Close
If you hold the belief or hope that getting found is how you will become successful, you are self-delusional. That’s not to say it’s impossible. Anything can happen, but your chances are slim and none.
There are modern day myths about getting found.
Yes, there are modern day mythical stories of artists who got found and great fame seemingly without a struggle. Here is a quote from Blouinartinfo.com on the meteoric rise of Jean-Michel Basquiat’s career:
From a troubled but well-off Brooklyn family — his dad, a wealthy accountant, owned a building on Pacific Street where the family lived, and Jean-Michel was a Junior Member of the Brooklyn Museum at six — Basquiat rose to fame at the time of the art world’s brief and fraught infatuation with graffiti, the major cultural form of New York in the bankrupt ’70s.
Basquiat, however, was never really part of the Bronx-based graffiti scene, and his street works were aimed squarely at Soho, which is to say, at gaining the attention of the mainly white downtown creative set. It worked.
He went from making offbeat text-based street art as SAMO to selling out gallery shows for hundreds of thousands of dollars in just a two short years at the beginning of the ’80s. He would date Madonna, hang out with Warhol, and become a human symbol of ’80s money’s coked-up infatuation with art (literally in the case of the infamous “New Art, New Money: The Marketing of the American Artist” cover story for New York Times Magazine).
Examples like those of Basquiat are fun to learn about, but damaging to believe fame and fortune will be thrust upon artists. There is just not enough of that kind of luck to go around. The only luck you can reliably count on is the luck you make for yourself.
The harder I work, the luckier I get. – Samuel Goldwyn
The come back to reality from such quaint notions about getting found is neither you nor anyone you know can count on the sudden appearance of an unexpected benefactor. There is irony for those who suffer from the Getting Found benefactor syndrome. It is the most predictable outcome for them is an art career starving for sales and attention.
The Starving Artist Myth and the Getting Found Fantasy Are Interwoven and Persistent.
Stories like those of Basquiat’s career arc continue to feed the myths and mess up the thinking of many artists. Basquiat must have had hundreds of thousands of contemporaries who yearned for success like his. For them, it never happened.
If you think you can get found like Basquiat, go for it.
Before you embark, do yourself a favor and make a Plan B, and Plan C because Plan A odds are awful. The results are always in the numbers. You cannot control statistical improbabilities. I know you cannot control whether you will gain rock star status.
Working smart and hard works wonders!
A more realistic plan is one where you seize control of your career. Rather than dreaming, you make it very probable you can succeed when you execute around a believable, achievable plan. When you turn the idea of getting found into one of you will find your own success and find your own buyers, you gain tremendous power. It’s like taking an atrophied muscle and working and pumping it until it meets its potential.
How do you pump your career?
You start by accepting you are in charge of what happens in your career. You can’t leave this to anyone else, and never to chance. You then determine what it is you want from your career.
What do you want from your career?
Until you have a firm grasp on what you want from your career, you are going nowhere. You can use the best tools, and be a smart marketer who uses them skillfully. Yet, without a vision to guide you to what you want from your career, you’ll be going nowhere fast.
Before you climb the ladder of success, make sure you have leaned it against the right wall.
There are no bad choices. It’s personal and about what you want.
You can decide you want a career as a professional artist. You might want to earn enough from selling art and other things such as workshops, leading art tours, or writing books.
You can decide you are happy to earn a part-time income from your art sales just to cover your art supplies and incidental expenses of a serious art hobby.
You might choose to sell your art to earn income for retirement, traveling, or to supplement your full-time job income. It’s your choice, and it’s all good no matter what you choose.
Don’t make pursuing success pointless futility.
Knowing what you want so you can explain it to yourself and others is your crucial starting point. Pursuing success, when you lack a clear vision of what success means to you, is pointless futility. You need to start with clear goals — ones that are attainable on a stretch.
No matter how long it takes you. No matter how painful the process, you have to do the work to get this down. Until you can state with clarity what you want from your career it’s a waste to start marketing your art.
Once your goals are set and clear, you can begin to work on meeting them. Are your goals are to gain recognition and sell more of your art? Then you should start by finding buyers, galleries, and distribution channels. Read on.
A network of buyers, galleries and distribution channels is the bomb!
Your success will come from building, nourishing and replenishing your growing network of customers and distribution channels, including galleries. You must make this an integral, necessary part of your daily routine. You can’t leave getting these things done to chance. For sure, you can’t wait until you feel like working on them.
You can get 100 collectors, or more. They will bulletproof your career.
I believe developing 100 or more direct buying collectors is the best thing an artist can do to strengthen their career. One cannot overstate the power of a one-to-one personal relationship with someone who likes you and likes your art.
Blasting through your comfort zone to success.
For some artists, the idea of networking, whether in person or online, to meet collectors is a challenging one. The thought of it stresses them out. I have three words for those in this situation, “Get over it!” That’s not being harsh. It’s real. The reality is, as mentioned above, you have a choice.
You can choose to put yourself into situations out of your comfort zone. For your career to flourish, you must make concessions to feelings about doing uncomfortable things. I suggest having a soul-searching conversation with yourself.
Honesty and heartfelt note-to-self works wonders.
Acknowledge that part of you that wants to recede and avoid working on networking. Accept that feeling uncomfortable, even painfully so, is the main reason you don’t want to do networking. Then tell yourself, and emphasize to the reluctant and potent part of you, that you and your reluctant self are going to have to learn to live with it.
The dread is worse than the do.
What you’ll find once you put on your professional artist pants and get out there is that your anticipation of how awful taking such positive action to further your career was way in excess of actually doing it.
You can do almost anything if you want it enough, excluding physical limitations. No amount of trying will ever let me dunk a basketball. But, I can become an excellent shooter and dribbler if I work hard enough on it. You can learn to mingle online and offline with potential collectors. You will probably find it’s quite pleasant once you get started.
The payoff for the discomfort makes success that much sweeter.
You can become an excellent networker. One who learns to turn contact with potential buyers of your work into opportunities. It’s in your grasp. You can do this, and much more, if you want to meet your goals. You work too hard at making great art to let yourself down on getting it seen and collected.
The Internet is the great disrupter of our lifetime. It has changed everything. It has killed many businesses and changed others in ways so that you almost don’t recognize them. It has also opened the door for artists to have useful, affordable tools to communicate and sell to collectors with no middleman.
You are on the cutting edge of new habits and tools.
For the first time, artists have the tools to create awareness for their work never known to previous generations. Likewise, buyers habits have changed and as never before they are open to buying direct from artists. You can build an awesome online identity and promote your digital brand.
Important as a personal, digital brand is, it’s not enough to build the career you want. You have to go a step further. You have to find ways to get inside the sames groups as your best prospects.
Customer hunting gets the job done.
The Internet offers artists opportunities to find prospects and join groups in which they belong. I call it customer hunting. The advantage to this is you are never cold calling when trying to connect with potential buyers who you associate with in some other way besides coming hat in hand asking a stranger to buy your art.
The Internet offers the most powerful research tool on the planet — for free!
The Internet is a research tool to find potential collectors, galleries and distribution channels. You can use digital marketing tools to make contact with your prospects, to befriend them, or cause them to become aware of you.
I tried being a Farmer’s Insurance agent for a while. It sucked. I went to countless networking events with business cards in hand trolling for prospects. It’s a terrible waste of time, money, and psychic energy. I did learn some things about networking though, so it wasn’t a complete wash.
Systematize your marketing to get the most from it.
You only have so many hours, dollars and resources to spend on marketing. You need to use them so you can the best return on your investment in them.
Start by evaluating what works best for you. Determine what things you cannot get by without doing, such as website and email marketing. Create an organized approach to sending out marketing messages.
Unfocused marketing is a huge waste on every level.
Too many businesses, not just artists, waste their marketing because it has no focus. A little of this and a little of that without a master plan is a prescription for failure.
Focusing on what is most crucial to your success is critical to it. You need to focus your marketing so it goes out at the right time to the right people and sends the right message. This is how you get the greatest value from marketing your work.
Create systems to urge, remind, and entertain your prospects with coordinated messages. Mixing your messages among a variety of methods improves response and results.
To have success as an artist today, you need to do these six things:
- Make a consistent, recognizable body of work that people want to buy.
- Set clear goals.
- Work daily on building, nourishing and replenishing your network.
- Identify and network with your best prospects. Use the Internet to find your ideal buyers and network with them. You can do the same things offline and they work just as well. In fact, developing a local, warm market makes for the easiest sales you will ever make.
- Be smart about how you use your resource and systematize your methods of sending your marketing messages.
- Sharpen your selling and negotiating skills. These are skills that anyone, including you can improve upon and use to make a dramatic difference in how much work you sell.
None of this is easy, but it’s not impossible either. How much do you want success?
There is nothing mysterious about any of these six things. It may not be clear to you how to do them all, but it’s not that difficult to learn about them either. The information is out there. The harder part is getting your arms and head around them all at once, and then taking disciplined action.
You can do it. You can have the success you desire. Choose success.
If you have been deluding yourself with wishful thinking, it’s not fatal. You can stop and you can change. If your fear of change or doing things that will make you uncomfortable are holding you back, “Get over it”, because you can.
Stop thinking about how to get found. Start finding buyers, galleries and collectors whose interest will make your career successful. They are out there and you can find them. Moreover, you can enter into their worlds in a variety of ways so they get to know you as much as a person before they know you as an artist.
Are you struggling in a solo environment with no one to talk about your business? Then start looking for an accountability partner. Join in a mastermind group, or find a coach who can help you stay on point and motivated. You don’t have to go it alone. Figure out what will work best for you and start doing it.
If you want my help, you have options right here.
Since 2005, I have written this blog with nearly 600 posts to help artists succeed. I have written five books on art marketing.
I believe what I have told you to do in this post is exactly what you need to do to succeed. For some of you, just seeing it presented in this way, it’s all you need. You will grab the horns and ride the bull to success.
Get the book. It’s a small investment that will pay major dividends.
Others of you may need more information, inspiration or help. I have that for you in a couple of options. Much of what I’ve told you is in my Guerrilla Marketing for Artists: How 100 Collectors Can Bulletproof Your Career. You can buy it from me in paperback, or get it from Amazon on Kindle or paperback.
The Kindle version is only $9.99, or free if you borrow it as a Prime customer. In my humble opinion, for $10 you get the best career advice you can find for any price. It’s a bargain at full price in paperback because you only need one useful idea to make it pay back 100 times or more in your lifetime.
My other option is the Art Marketing Mastery Workshop.
The highlights of the course are you get almost 9 hours of recorded instruction, which will soon double in the coming weeks. You get membership in a private Facebook group where you can ask questions, offer help and get help from me and other members.
If you sign up now, you will save $100 off the price of the course when it goes up May 1. Plus, you will get a free one-on-one 30-minute private consultation with me. It won’t be part of the plan when the price increases May 1.
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